Woollahra Small Sculpture Prize 2015

XX Mon. YYYY

Took time out of the studio last week to catch the 2015 Small Sculpture Prize exhibition before it closed on Sunday 25th. I try to see it every year because I enjoy the show so much and while it couldn't be called the best ever I certainly wasn't disappointed.

Purple,White,Orange & BluePurple,White,Orange & Blue

Figure of Self-ReflectionFigure of Self-Reflection

Two sculptures I particularly enjoyed were the abstract aluminium construction by Yioyios above and the very whimsical ceramic totem by Stephen Bird, a regular contributor to the show. Another work I found particularly beautiful was Lines by Titania Henderson

Lines by Titania HendersonLines by Titania Henderson

Father's PencilsFather's Pencils

Father's Pencils by Wendy Black struck a particularly strong emotional chord with me. Probably the smallest piece in the whole show iot definitely had the most profound impact. WEndy explains that while her father constructd modest dwellings, the work alludes to skyscrapers, but it was her acknowledgement of communing with him while making the piece that resonated so strongly with me

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Took time out of the studio last week to catch the 2015 Small Sculpture Prize exhibition before it closed on Sunday 25th. I try to see it every year because I enjoy the show so much and while it couldn't be called the best ever I certainly wasn't disappointed.

Purple,White,Orange & BluePurple,White,Orange & Blue

Figure of Self-ReflectionFigure of Self-Reflection

Two sculptures I particularly enjoyed were the abstract aluminium construction by Yioyios above and the very whimsical ceramic totem by Stephen Bird, a regular contributor to the show. Another work I found particularly beautiful was Lines by Titania Henderson

Lines by Titania HendersonLines by Titania Henderson

Father's PencilsFather's Pencils

Father's Pencils by Wendy Black struck a particularly strong emotional chord with me. Probably the smallest piece in the whole show iot definitely had the most profound impact. WEndy explains that while her father constructd modest dwellings, the work alludes to skyscrapers, but it was her acknowledgement of communing with him while making the piece that resonated so strongly with me